Raffaela Pancucci
Sound Design
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SOUND DESIGNER This is a show for people who exist as different versions at different times in different places, in multitudes that risk spinning out of control. Direction - Aisling Gallagher Writing - Tom Manning Set - Emma Wee Video - Ryan Davies Lighting - Rachel Sampley THE OMNIBUS THEATRE

SOUND DESIGNER & COMPOSER The Scotsman's Fringe First 2023 winner, Beasts explores the impact of street harassment and how we're supposed to feel safe despite it all. Direction - Imogen Wyatt Corner & Sarah Stacey Writing - Mandi Chivasa Set - Sophie Andrews Lighting - Jenny Cashman Photography - Ben Wilkin ZOO PLAYGROUND EDINBURGH

SOUND DESIGNER Struggling with a difficult past, Alex Shaw is attempting to move forward. Over twenty years she gathers the scattered chapters of her life, in the hope of re-building her story... Direction - Julie Atherton Orchestration & Musical Supervision - Ben Goddard Writing - Christopher J Orton & Jon Robyns Lighting - Adam King THE SOUTHWARK PLAYHOUSE

COMPOSER Relationships can be messy. Especially with four people. Leaving the past behind, Dee, Freya, Craig and Amber have embraced a queer utopia until one explosive party, where everything falls apart... Direction - Amy Crighton Writing - Katrina Bennett Lighting - Sam Osbourne Set & Costume - Lucy Sneddon Photography - Lucy Hayes CAMDEN PEOPLE'S THEATRE

SOUND DESIGNER & COMPOSER A modern retelling of the ancient myth, a collection of strange characters meet as reality begins to dissolve around them. Direction - Tamar Saphra Writing - Emily Renée Set and Costume - Cory Shipp Lighting - Matthew Carnazza Photography - Ben Wilkin THE OMNIBUS THEATRE

SOUND DESIGNER & COMPOSER Two cities, two young people. A beautiful, lyrical play that explores our ability to transcend boundaries and look beyond our accepted reality. Writing - Kevin Keiss Translation - Charis Ainslie Direction - Sibylla Kalid Lighting - Catja Hamilton THE SPACE ARTS CENTRE

SOUND DESIGNER & COMPOSER Part of #503Resets, this dynamic, darkly comic, one-woman show is about our personal addictions, the never-ending pursuit of ‘likes’ and our growing desire to share all. Direction - Liam Blain Writing - Rachel Causer Lighting - Archie Macleod Dramaturgy - Cressida Peever THE PLEASANCE ATTIC & THEATRE503

SOUND DESIGNER & COMPOSER John Straiton’s darkly lyrical play explores a fleeting moment of connection between two very different people, and the surprising bonds forged in times of loneliness. Direction - Philip Wilson Writing - John Straiton Lighting - Holly Ellis Photography - Alex Brenner THE HOPE THEATRE

SOUND DESIGNER Through a devising process, the life, career, and music of Edith Piaf were delicately interwoven with the ensemble's journey of growth and disappointment. Dramaturgy - Briony O'Callaghan Devising - The Company THE CATFORD BROADWAY STUDIO THEATRE

SOUND DESIGNER Based on a short story by Charlotte Gilman, this work of feminist, American literature explores the attitudes towards women's mental and physical health in the 19th Century. Dramaturgy - Briony O'Callaghan Devising - The Company THE CATFORD BROADWAY STUDIO THEATRE

SOUND DESIGNER Part of the "Schwarzenjammers" double bill of new writing, this piece was a personal journey through male mental health, as our protagonist began to spiral under the weight of other people's expectations. Direction - Hanna Berrigan Writing - Tama Phethean Lighting - Lauren Woodhead Photography - Alex Hardy THE ETCETERA THEATRE

ASSISTANT SOUND DESIGNER The only sources of news are the government’s The British Gazette and the independent, fledgling British Broadcasting Company. What follows is a fierce battle for control of the news and who gets to define the truth. Direction - Katy Rudd Writing - Jack Thorne Lighting - Howard Hudson Sound - Ben & Max Ringham THE DONMAR WAREHOUSE

ASSOCIATE SOUND DESIGNER Juno was born with spina bifida and is now clumsily navigating her twenties amidst street healers, love, loneliness – and the feeling of being an unfinished project. Direction - Charlotte Bennett Lighting - Guy Hoare Sound - Elena Peña Photography - Marc Brenner THE KILN THEATRE AND NATIONAL TOUR

QLAB PROGRAMMER We follow explosive Maz and her truth-telling bars as she rails at the world and runs from a life in care. Then she meets Tayo, a gentle soul with silky smooth vocal folds, seeking a place to belong. He’s soul, she’s grime, and the fusion is sublime. Direction - Maggie Norris Sound - Benjamin Grant Composition - The Last Skeptik THE BIG HOUSE

ASSOCIATE SOUND DESIGNER The year is 1963 and the night is young. At Kellerman's, your everyday life will be nothing but a distant memory. Shake those hips at a Cha Cha lesson with Johnny or join the battle of the power ballads with an exotic cocktail in hand. Creative Direction - Matt Costain Direction - Thom Mitchell Lighting - James Whiteside Sound - Gareth Tucker, for Autograph Photography - Luke Dyson SECRET CINEMA

ASSISTANT SOUND DESIGNER The animals of Manor Farm drive out the farmer and run the farm themselves. They have a revolution, and then what...? Writing & Direction - Robert Icke Puppetry - Toby Olié Design - Bunny Christie Lighting - Jon Clark Sound - Tom Gibbons Photography - Manuel Harlan THE BIRMINGHAM REP & NATIONAL TOUR

ASSOCIATE SOUND DESIGNER With 40 live actors and 17 different worlds to explore, take an epic journey across space and time, travel to exciting new (and old) places, confront menacing monsters and encounter ancient aliens – all while you battle to save all of existence! Direction - Tom Maller Design - Rebecca Brower Lighting - Terry Cook Sound - Luke Swaffield, for Autograph IMMERSIVE EVERYWHERE

ASSOCIATE SOUND DESIGNER Alex goes into labour, their baby is born still and their world implodes. What follows is a window into how a couple find the strength to move forward and the determination to keep the memory of their child alive. Direction - Kate Budgen Writing - Cordelia O'Neill Lighting - Sally Ferguson Sound - Beth Duke Photography - Taz Martin THE SOUTHWARK PLAYHOUSE

ASSOCIATE SOUND DESIGNER This explores how trauma lives in the body, particularly for Black British women across different generations. It creates a collective cathartic experience, for audience and performer. Performance - Heather Agyepong Dramaturgy - Gail Babb Video - Gillian Tan Sound - Donato Wharton THE BATTERSEA ARTS CENTRE AND UK NATIONAL TOUR

ASSOCIATE SOUND DESIGNER A family begin to grieve a loss, while the audience explores each character's point of view. Direction - Ellie Coote & Adam Lenson Writing - Arnoud Breitbarth & Christian Czornyj Lighting - Sam Waddington Sound - Luke Swaffield, for Autograph Photography - Patrick Baldwin THE EMBASSY THEATRE

ASSOCIATE SOUND DESIGNER A female mathematician breaks convention and challenges the authorities of her time. Direction - Ellie Coote & Adam Lenson Writing - Freya Smith & Jack Williams Lighting - Sam Waddington Sound - Luke Swaffield, for Autograph Photography - Patrick Baldwin THE EMBASSY THEATRE

ASSISTANT SOUND DESIGNER Through an immersive, headphone piece, audiences are guided through monuments big and small, the people that built the buildings from the ground up and that keep the beating heart of the area alive. Direction - Jonnie Riordan Producer - Max Emmerson Sound - Pete Malkin Narrator - Julie Hesmondhalgh ANCOATS, MANCHESTER

HEAD OF SOUND Performed by an all female and non-binary band, we follow one woman’s coming-of-age journey, spanning across eight years of sexual highs and lows, with sprinklings of 90s nostalgia and an unashamedly queer and feminist call to arms. Direction - Celine Lowenthal Writing - Lilly Pollard & Joel Samuels Sound - Lucy Baker Swinburn Photography - Ali Wright THE SOUTHWARK PLAYHOUSE